Here’s a sneak peek of some of the buttons that came out of the latest kiln firing. This batch was heavy on square beauties since I was completely out of square stock. There are hundreds of unique buttons, but I can’t help but show off some of what I’m packaging up tonight! My favourite glaze combination, this time on swirly squares: For those, like me, that like some fancy added to their knitting, crochet, and sewing projects: My newest glaze which proves again that taking a chance on a new glaze can be a wonderful decision. These are so full of depth and gloss: A lovely group of serene glaze colours that complement the great textures: If you’re in Calgary and you love shiny things, come see these in person Oct 7 or Nov 17! I have many sets of 2-5 that are great for cowls as the chill of autumn reminds us that it’s time to get the needles and hooks going to get our projects ready for the first snowfall. I’m going back to packaging handmade buttons and getting them prepared to find their new homes. Have a great night!
We get by with a little help from our friends. In this case, it is my niece (and an artist in her own right) Jill Reynaud at the button table with me. Her eye for texture makes it easier for me to accept help, and she didn’t even flinch when I used the term “aggressively sponge”. I am a control freak when it comes to accepting help in the studio, and up until now my Mom, with a lifetime of artistry under her belt, had been the only other to touch the buttons. There are many that have offered and I’ve always declined because quality control is my #1 priority, and I don’t want to offend helpers by harping at them to “do it my way”. I need for ceramic buttons, diz, pendants, and everything else coming out of the studio to have smooth edges so they never catch or cut yarn. Smoothing every edge and hole is incredibly time intensive, but I personally feel that the final product quality is worth it. With two fibre shows coming up, and custom orders waiting for my attention, getting some help is the only way to get clay beauties into everyone’s hands. The clay gods heard my cries, and Jill arrived, eager to jump in. And I don’t offend her (or if I do, she just smiles and keeps making beautiful things) Thank you, Jill!
More photos of buttons in action! Get a load of these adorable little models. (and check out the buttons on those sweaters! They match perfectly!) These sweaters were knit by Tabitha Rose from Harrodsburg, KY using her own hand dyed yarn. I posted photos of these in November however they are even more beautiful when seen in action. From Tabitha: “The yarn was my Wishfox Dyeworks Arctic Fox Aran, and its 100% superwash bfl, squishy and awesome. 182yd/100g. It took less than one skein for the orange sweater, and I used 2 for the brown/teal, but there are substantial leftovers. The orange is approx 2t, and the brown approx 3-4t. I made the patterns up as I went along, but I’m hoping to get them written up sometime soon. I’m a stay at home mother of one from Central KY. I do all the dyeing and fiber processing myself, in my living room and kitchen, and really put my heart into all of it.” January 1, 2013 was Tabitha’s one year anniversary so please visit her online shop and wish her happy anniversary. To celebrate one year in business, she is offering a special January coupon code “YearOne” for 10% off your order. Enter the coupon code at checkout.
Today is glaze firing day! I load the kiln as I finish items so this morning when the last item went in, it was time to crank up the heat and start the cycle. I loaded four shelves that look much like this one: After the horrific failure of the jewelry stand during the last firing leaving pieces permanently fused and nicked, I’ve gone back to glazing only one side of the buttons so they can lay down for glaze fire. Buttons are just as functional with only the showing side fired so I’m at peace with this decision. I wanted to glaze both sides of pendants for the sheer vanity of it however, until I have a new secure jewelry stand for firing, they will also be glazed one side only. I have some mugs, stands, pendants and bowls in this kiln load as well. I don’t know how I’m going to wait for it to be finished. During the third of nine hours of firing, I was closing the top vent and took this photo for your viewing pleasure. Looks toasty, doesn’t it?: I’m counting down the hours to unpack this baby tomorrow evening! I guess it’s time to go straighten up the neglected house while I wait.